There are a lot of things Autumn de Wilde’s Emma gets right, and a few things that it doesn’t. (Namely, it’s length. As Austen’s longest book, if this film was a mini-series instead, goodness, it’d be sublime.) But where it continues to stand out apart from its stunning cinematography is the showcase of overwhelming emotions. In this adaptation, emotions are front and center—no one is shying away from them, and they are on display with such spectacle, it places the necessary emphasis on just how engulfing feelings can be. The detail about Emma as a book that has always stood
