“Ahead by a Century” serves as a poignant series finale that answers… most of our questions.
Analytical Features, Reviews, and Big Feelings
“Ahead by a Century” serves as a poignant series finale that answers… most of our questions.
“Auld Lang Syne” closes the penultimate chapter of the whole show with a (literal) bang.
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“Working My Way Back to You” hits some great emotional moments, but a few points do feel like a “hurry and wrap it all up” situation.
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“Yes, Sir, That’s My Baby” offers apparent answers to several mysteries, but it takes an emotional toll, too.
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“Dust in the Wind” packs family tensions and bigger mysteries into a slow burn episode.
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“Blinded by the Light” takes two of our Landrys back in time in search of answers (and more mysteries).
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“Too Late to Turn Back Now” is full of satisfying payoffs and a showcase for the whole cast’s talents.
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It’s back to the past in “Ain’t No Sunshine” where fears about past and future dominate a complicated episode.
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“Reeling in the Years” digs up pretty much everyone’s past in uncomfortable ways.
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“Live and Let Die” starts unraveling the plot threads we know will carry us all season long.
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“The Way We Were,” is about moving forward. Or, more accurately, moving toward the past.
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“You Ain’t Seen Nothing Yet,” brings a brighter feel but with plenty of mysteries still to ponder.
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The Way Home delivers heart and complexities from day one as it tackles challenging topics with grace and brilliant performances.
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The first kiss between Kat and Elliot feels pulled straight out of a romance movie, but the emotions and symbolism run deep.
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The Way Home’s Kalliot brings friends-to-lovers excellence with a time-travel twist for a romance you can’t help but root for.
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