Welcome to another emotionally charged period drama original score. This week we’re throwing it back to Joe Wright’s Atonement, original score by Dario Marianelli. There are a lot of mixed feelings about this movie given most of what happens, but we’ve yet to encounter someone who’s a fan of such scores say that Atonement‘s isn’t among their favorites. It’s the way that two seconds into the “The Half Killed” or “Rescue Me” or “Farewell” where I can just feel the tears coming in. But “The Half Killed”–the entirety of it is magic, but what happens 1:15 minutes in is probably
