The North and South original score composed by Martin Phipps contributes immensely to the mini-series’ allure.
Analytical Features, Reviews, and Big Feelings
The North and South original score composed by Martin Phipps contributes immensely to the mini-series’ allure.
Lalisa by Lisa of Blackpink is the single we can’t stop thinking about, replaying, or dancing along to. If you haven’t heard it, listen now.
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This is not a drill: ABBA is releasing a brand new album on November 5th titled Voyage and they’ve just released two new singles, “I Still Have Faith In You” and “Don’t Shut Me Down.” I’m absolutely, 100% writing through my tears while listening to “I Still Have Faith In You” on replay right now. The time for a breakdown to “Don’t Shut Me Down” is coming soon too. I know it is. An ABBA album is always going to be a hit, so I know Voyage will be everything we didn’t know we needed and more. There is already
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The Killers are back with their seventh studio album, Pressure Machine, proving to us that you can never be too busy during a pandemic. Released just under a year after their last album, Imploding the Mirage, the band’s latest record is a concept album exploring Brandon Flower’s childhood in Nephi, Utah. The album also sees the return of guitarist Dave Keuning and the absence of bassist Mark Stoermer, who opted out due to COVID-19 concerns. The band also reunited with producers Johnathan Rado and Shawn Everett. While Imploding the Mirage was certainly bombastic, the Las Vegas band’s latest work brings
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Yes, it’s that time again–4th generation it-boys Tomorrow X Together (TXT) are back again, this time with a repackage album (The Chaos Chapter: Fight or Escape) and a new track, LO$ER=LO♡ER. And wow, friends, there is just a lot here and it’s all on another level. With their last release, 0X1=Lovesong, TXT showed off a more rock-based sound with grittier vocals and an entire mountain of emotion. In similar fashion, LO$ER=LO♡ER keeps a similar sound profile and similar levels of emotion. This particular song would not be out of place next to some older pop-punk favorites (for example, I get
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It’s official Ben Barnes’ EP titled “Songs for You” will be released on October 15, 2021 and we’re counting down the days.
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Gunpowder Milkshake is easily one of the most enjoyable films I watched this year, and its companion original score composed by Frank Ilfman is right alongside it as impeccable. Frank Ilfman’s original score for Gunpowder Milkshake is both action-packed and slowly-encompassing. A large part of it reminds me of one of my all-time favorites, The Man from U.N.C.L.E.’s by Daniel Pemberton. There is something so brilliantly whimsical about it even in the darker tones the instruments are trying to convey. In every way, the score easily complimented the film brilliantly. Sometimes you notice the greatness of an original score after
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Jungle Cruise’s original score by James Newton Howard provides gorgeous escapism and fuels the film with the necessary magic.
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“Butterflies” by MAX is a song we can’t get enough of. It was written as an inspiration from “Lights Down Low.”
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Let it be known, that while I was at Walt Disney World, on my first vacation since the beginning of the pandemic, I woke up on July 2nd excited to finally get my hands virtually on the Loki soundtrack. I’m home now for the release of the second volume and, I’ve listened to the two volumes all day. The music Natalie Holt has created for Loki perfectly fits the crazy, retro, sci-fi tone of this show. I love how Holt has weaved in the ticking of a clock in multiple tracks. Again, perfect for this time-traveling adventure. Also, amazing that
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In their follow-up to “Butter” (the official song of the summer–I don’t make the rules), BTS are as done as the rest of us with the worldwide events of the past 16 months, and they’re showing us in the best way possible: with a brand new song called “Permission to Dance.” Instead of describing it, just trust me on this–watch the video. It is a brilliant and fun addition to their other recent disco-pop tracks. You will feel this catharsis in your very soul. Enjoy emo cowboy Jungkook and the rest of the yeehaw looks and come back after you
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Anthony Ramos’ latest album “Love and Lies” is going to be on replay all summer. And I’m sure we are not the only ones who feel this way.
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Pixar’s Luca is Disney’s latest release, and with a new animated film comes an incredibly stunning original score composed by Dan Romer. The original score contains 30 new tracks and runs a little over an hour. Luca’s score feels so appropriate for the summer heat and unsurprisingly, touches on the Disney magic brilliantly. If you are anything like us and you play original scores, including park themes, all over the house, then this is one of the scores that will be on a loop too. Some of our favorites include “Buonanotte, Boys,” “The Sea Monster,” and “I Wish I Could
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Long Lost, Lord Huron’s latest album is here and it’s incredible. (But then again, I haven’t listened to a Lord Huron album I didn’t like.) Long Lost features 16 songs and most of them are glorious. Long Lost even features a 14:18 minute long instrumental titled: “Time’s Blur,” and if you know anything about me, you know that instrumentals are my jam. It’s what I currently have on replay while writing this. It’s melancholic, but ephemeral and calming, all feelings that only lovely tracks can evoke. I have yet to pick a favorite from the musical tracks, but “Long Lost,”
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Vitamin String Quartet are back for our hearts, and we have 101 feelings about almost all the covers in the Our Flashback Wedding album. Oof. Imagine having this much talent. And the first cover we need to scream about is of Chris Isaak’s “Wicked Game.” Since Vitamin String Quartet are featured in the official Bridgerton score, here is our official plea to have this cover featured in season two because the song itself screams about Anthony Bridgerton and Kate Sharma. I haven’t taken this one off replay since it first released–it’s sheer magic, and you all know I’m right about
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After the poppy delight that was Blue Hour (along with their last mini album, minisode1: Blue Hour), the members of Tomorrow X Together (TXT) have released The Chaos Chapter: FREEZE—and believe me when I say the album is an entire jam with literally zero skips that gives the incredible talent of all five members ample room to shine both individually and as a unit. If you’re looking for an anthem to yell when you’re frustrated, car windows down, totally without a care whether anyone hears you, their title track this time around, 0X1=LOVESONG (I Know I Love You) feat. Seori,
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“Leave Before You Love Me” by the Jonas Brothers and Marshmello is a fun track that’ll be on blast all summer.
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Since its debut, Olivia Rodrigo’s SOUR album has been the buzz online. We’re almost glad we didn’t write about “drivers license” when it first premiered as a single so we could finally talk about it now. SOUR by Olivia Rodrigo is stunning, vulnerable, and so raw as an album. Typically, here’s the tea about how I listen to music: I don’t like knowing things. Don’t tell me who the song is about, don’t make me speculate. I don’t want to know anything. I don’t care. I just want to listen to it and let it tell the kind of stories
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Daniel Pemberton’s Enola Holmes Original Score is one of the strongest pieces of music and a joy to listen to.
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I’d like to start this off by formally apologizing to all my neighbors and my family because I’ve had three versions of this song circulating on replay for about three months now. Actually, never mind, I’m not sorry. You’re all welcome. You’d think I’d be sick of it by now, you’d think maybe after a week or two I’d think: “okay, that’s enough,” but nope, I’m still listening to it. (Right now as I type this, too.) Glass Animals‘ “Heat Waves” is a BOP. The best part? There are three versions. There’s the original, which is the bopiest bop of
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