Taylor Swift owns all her music again, and it’s a big deal in more ways than one.
Analytical Features, Reviews, and Big Feelings
Taylor Swift ascends to new heights with her eleventh studio album, The Tortured Poets Department: The Anthology.
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The Eras Tour (Taylor’s Version) is now streaming on Disney+ with a whole new batch of surprise songs added.
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There are many songs that fit the Six of Crows, but nothing hits quite like Taylor Swift’s “You’re On Your Own, Kid.”
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The vault tracks in 1989 (Taylor’s Version) are sensational, her vocals are unbeatable, and the melodies hit even harder this time.
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Whether you attend a concert or watch it on screen in Taylor Swift: The Eras Tour movie, it’s a remarkably unforgettable experience.
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Taylor Swift’s Eras Tour is history in the making. It’s indescribable, incandescent magic.
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The National’s First Two Pages of Frankenstein feels like a carefully nuanced album with something for everybody
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Midnights by Taylor Swift is beautifully messy—it’s faultlessly intertwined and chaotically all over the place, making it a superb album.
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It was great in 1989, but “This Love” (Taylor’s Version) is magic. Taylor Swift’s latest replay will be on replay for months to come.
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Red (Taylor’s Version) is a brilliant album around, but Taylor Swift’s “Begin Again” is an underrated jewel we don’t talk enough about.
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Dylan O’Brien and Sadie Sink put on an astonishing performances for Taylor Swift’s All Too Well The Short Film music video.
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“Love Story” has always been a special song. While Taylor Swift’s Fearless album isn’t a particular favorite of mine, a few of the tracks are undeniably wondrous. The music industry is flawed and terribly corrupt, we’re seeing all the ins and outs of it through Framing Britney Spears and we got a colossal glimpse of it through Swift’s inability to secure the rights to her own songs. (How? Are the white men in this industry going to continue to wait years in order to issue a typed out apology likely done by their PR team through social media?) Anyway, onto
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