Casino Royale’s original soundtrack by David Arnold stands the test of time as brilliantly as the film does.
Analytical Features, Reviews, and Big Feelings
Casino Royale’s original soundtrack by David Arnold stands the test of time as brilliantly as the film does.
The Witcher’s Season 2 original soundtrack by Joseph Trapanese featuring original songs by Joey Batey is just as good as we imagined it’d be.
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The Little Women 2019 original score by Alexandre Desplat is a magical gem that encapsulates the beauty of the entire film.
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Songs for Christmas by Sufjan Stevens is the ultimate holiday album. Comprised of 42 songs, it’s the best kind of masterpiece.
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In a nutshell, 30 by Adele is endurance, it’s a love letter to survival, it’s coming out of the waters, and it’s deliverance.
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Little Women 1995 original score by Thomas Newman is one of the most memorable (and deeply nostalgic) scores in existence.
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Ramin Djawadi’s Eternals original motion picture soundtrack beautifully compliments the film’s essence, heart, and characters.
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Pixar’s Coco Original Soundtrack is a treasure for its ability to carry immense heart and impact listeners in a way that’s beautifully moving.
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Back to Us by Clyde Alves is six track EP from the Broadway artist that’s a must listen no matter your preferred genre.
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Songs for You by Ben Barnes is a lyrically poetic gem that showcases Barnes’ impeccable range beautifully through every track.
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Samuel Sim’s original score for BBC’s Emma (2009) is one of the most exemplary period drama scores to exist.
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Once autumn comes around, it is time to break out The Blasting Company’s Over the Garden Wall soundtrack and immerse yourself into the season.
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There is not a single track on the Moulin Rouge original broadway cast recording soundtrack that isn’t deserving of immense praise.
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The North and South original score composed by Martin Phipps contributes immensely to the mini-series’ allure.
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Lalisa by Lisa of Blackpink is the single we can’t stop thinking about, replaying, or dancing along to. If you haven’t heard it, listen now.
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This is not a drill: ABBA is releasing a brand new album on November 5th titled Voyage and they’ve just released two new singles, “I Still Have Faith In You” and “Don’t Shut Me Down.” I’m absolutely, 100% writing through my tears while listening to “I Still Have Faith In You” on replay right now. The time for a breakdown to “Don’t Shut Me Down” is coming soon too. I know it is. An ABBA album is always going to be a hit, so I know Voyage will be everything we didn’t know we needed and more. There is already
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The Killers are back with their seventh studio album, Pressure Machine, proving to us that you can never be too busy during a pandemic. Released just under a year after their last album, Imploding the Mirage, the band’s latest record is a concept album exploring Brandon Flower’s childhood in Nephi, Utah. The album also sees the return of guitarist Dave Keuning and the absence of bassist Mark Stoermer, who opted out due to COVID-19 concerns. The band also reunited with producers Johnathan Rado and Shawn Everett. While Imploding the Mirage was certainly bombastic, the Las Vegas band’s latest work brings
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Yes, it’s that time again–4th generation it-boys Tomorrow X Together (TXT) are back again, this time with a repackage album (The Chaos Chapter: Fight or Escape) and a new track, LO$ER=LO♡ER. And wow, friends, there is just a lot here and it’s all on another level. With their last release, 0X1=Lovesong, TXT showed off a more rock-based sound with grittier vocals and an entire mountain of emotion. In similar fashion, LO$ER=LO♡ER keeps a similar sound profile and similar levels of emotion. This particular song would not be out of place next to some older pop-punk favorites (for example, I get
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Gunpowder Milkshake is easily one of the most enjoyable films I watched this year, and its companion original score composed by Frank Ilfman is right alongside it as impeccable. Frank Ilfman’s original score for Gunpowder Milkshake is both action-packed and slowly-encompassing. A large part of it reminds me of one of my all-time favorites, The Man from U.N.C.L.E.’s by Daniel Pemberton. There is something so brilliantly whimsical about it even in the darker tones the instruments are trying to convey. In every way, the score easily complimented the film brilliantly. Sometimes you notice the greatness of an original score after
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Jungle Cruise’s original score by James Newton Howard provides gorgeous escapism and fuels the film with the necessary magic.
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